TOP GUIDELINES OF LEBANESE HASH COPYRIGHT 0 34

Notions of looking and voyeurism are tackled spatially and architecturally in “Good For Me.” In this particular series, swooping lines make a kind of peephole influence that reveals Mundt in two different poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which appears in other paintings from the e